Mozart's Piano Concerto No. 23 is a typical example of his craft, and of the classical period's best work. Find out exactly why this, one of his latest, is among the best. The piano concertos of ...

Mozart wrote three of his finest piano concertos, nos 23, 24 and 25, in a single year. Beauty, passion and grace combine as the piano engages in an intimate dialogue with the orchestra. Watching a ...

Jacques Loussier clangs musical genera together like an orchestral cymbalist reaching crescendo. After having weaved his way through Bach, Chopin, Handel and Satie, maestro Loussier turns his ...

Though the concerto that followed it was a bigger hit, Mozart's Piano Concerto No. 20 in D Minor from 1785 is still a classic example of just how prolific and formidable the young composer's talents ...

The Mainly Mozart Festival forged ahead with two delightful concerts at the Conrad, June 23 and 25, prior to their final ...

A striking moment occurs early in K456: the unearthly lunge of a repeated figure. It shows the sophistication of the Cleveland strings and demonstrates how, in directing them herself, Mitsuko Uchida ...

It is a score draw at the moment in the match between traditional and period-instrument recordings of Mozart’s piano concertos. Mitsuko Uchida falls in the former camp and the last in her recent ...

If you like easy-listening Mozart or have an affection for performances that are light or pretty in manner, then Francesco Piemontesi’s new coupling of the Concertos in C, K503, and in D, K537, is not ...

Concerto for Piano and Orchestra No. 20 Mozart Orchestra Claudio Abbado, Conductor Martha Argerich, Piano Wolfgang Amadeus Mozart, Composer Concerto for Piano and Orchestra No. 25 Martha Argerich, ...

The piano concertos, like his operas, are where you get to meet Mozart himself. And what you find is a man who sought to disrupt privilege and let us see the world through the eyes of others When I ...

FORT WORTH - Starting Saturday, the semifinal round of the Van Cliburn International Piano Competition switched to a half-and-half format each day: two solo recitals each afternoon, four performances ...