Cinematographer Natasha Briaer tells IndieWire about building the DP community she wanted to see in the world.
Revisiting Kevin Costner's 'The Postman' reveals a strange, sincere American epic about hope, mail, and showing up for others ...
The feather in the cap is “Minions & Monsters,” the third movie starring the Minions and easily the best, a shockingly delightful madcap comedy that feels like it could convert even the most staunch ...
Jeff Tremaine on the run-and-gun recklessness of the early MTV days and kidnapping Brad Pitt, to learning to work with stunt ...
Directors Naoko Yamada and Abel Góngora spoke to IndieWire about Japan animation studio Science Saru’s upcoming historical ...
Beyond 'The Backrooms' and 'Obsession,' Q2 horror was shaped by 'Hokum,' 'Lee Cronin's The Mummy,' 'Leviticus,' 'Faces of ...
NYC Film and TV production has made a comeback in 2026, but the new mayor and his MOME commissioner are trying to convince ...
In his new Netflix stand-up special 'Ridiculous,' Louis CK makes his unhappiness evident. Without deeper insights, his misery ...
UPDATED: After reports earlier today that Neon was reportedly circling a deal to acquire the U.S. rights to “Artificial,” the ...
Ahead of the 2026 Emmy nominations, Awards Editor Marcus Jones highlights some of the series he would want TV Academy members ...
Indie Specialized Box Office Chart: Olivia Wilde’s ‘The Invite’ Outpaces Other A24 Platform Openings
A24 and Annapurna's film, a breakout hit from Sundance, debuted with a per-screen-average of $56,194 on 7 screens. Last week, ...
S.S. Rajamouli talks the animated follow-up to his live-action 'Baahubali' movies, 'Baahubali: The Eternal War,' while at ...
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