Currently in the final stages of post-production, Auden Lincoln-Vogel and Philip Rabalais’s feature The Tower casts a curious eye at a cross-section of Fairfield, Iowa: a child who wanders off and ...
Annapurna Sriram is a very bad girl—at least, that’s what her parents thought when they found the then-16-year-old’s MySpace account. While attending a laissez-faire performing arts high school in her ...
Amy Browne, Bradley Rust Gray, Brian Wilson, Fall 2014, Farihah Zaman, Heidi Ewing, Jeff Reichert, Jeremy Kaplan, Kate Chevigny, Rachel Grady, Richard Glatzer, Robert ...
The latest installment in the Scary Movie franchise is the sixth, though the numeral is pointedly left off the title. This is ...
The latest installment in the Scary Movie franchise is the sixth, though the numeral is pointedly left off the title. This is ...
“What I’m saying is, if you want to go, I won’t stop you.” At the final Park City edition of Sundance last week, my 14th consecutive one, I contemplated this line from Butch Cassidy and the Sundance ...
“What I’m saying is, if you want to go, I won’t stop you.” At the final Park City edition of Sundance last week, my 14th consecutive one, I contemplated this line from Butch Cassidy and the Sundance ...
All Current Columns: Focal Point Shutter Angles Back to One Continue Watching The Week In Cameras Notes on Real Life Persona Project Industry Beat Extra Curricular Editor's Blog Archived Columns: Blue ...
Leviticus (2026), Adrian Chiarella’s debut feature, begins with an archetypal horror image: a “little death” that begets a big one. In this cold open, a lesbian lifeguard succumbs to the lubricious ...
Leviticus (2026), Adrian Chiarella’s debut feature, begins with an archetypal horror image: a “little death” that begets a big one. In this cold open, a lesbian lifeguard succumbs to the lubricious ...
Amidst a surge of interest in contemporary Japanese cinema in the West, Sho Miyake is not yet a household name—but his reputation is only growing. Since graduating from the Film School of Tokyo, ...
The wearied refrain—Cannes 2026 was a ho-hum edition, no masterpieces to see here, take the earlier flight home—obscured the quiet revolution taking place in film after film. This was a year of ...