New York Classical Review

July 3

B. Franklin (attr.): Quartet in F major for Three Violins and Cello Haydn: String Quartet in E-flat Major, Op. 33, No. 2, “The Joke” Mozart: String Quartet in B-flat Major, K. 589, “Prussian” ...
New York Classical Review

Met’s “Tales of Hoffmann” offers dark Romanticism and a feast of female voices

Benjamin Bernheim with admirers in the title role of Offenbach’s Les Contes d’Hoffmann at the Metropolitan Opera. Photo: Karen Almond / Met Opera E.T.A. Hoffmann, spinner of bizarre tales in the early ...
New York Classical Review

“Andrea Chénier” makes an impassioned, riveting return to the Met

Piotr Beczała in the title role and Sonya Yoncheva as Maddalena in Giordano’s Andrea Chénier at the Metropolitan Opera. Photo: Karen Almond / Met Opera Andrea Chénier returned to the Metropolitan ...
New York Classical Review

Wang, NYO-USA All-Stars open Carnegie Hall season with thrills and good times

Yuja Wang performed Tchaikovsky’s Piano Concerto No. 1 with the National Youth Orchestra of the USA All-Stars Tuesday night at Carnegie Hall. Photo: Chris Lee Music for a party is a ...
New York Classical Review

Met Opera’s “Dialogues des Carmélites” is a devastating, emotional tour de force

Ailyn Pérez as Blanche de la Force in Metropolitan Opera presentation of Poulenc’s “Dialogues des Carmélites.” Photo: Marty Sohl / Met Opera Debuts abounded in the season premiere of Poulenc’s ...
New York Classical Review

The Big Easy: Trifonov makes it all sound effortless, even the “Hammerklavier”

Daniil Trifonov performed Tuesday night at Carnegie Hall. Photo: Dario Acosta Listening to Daniil Trifonov’s recital in Carnegie Hall Tuesday night, one’s first thought was, this pianist is such a ...
New York Classical Review

“Fedora” returns to Met after 25 years in a sumptuous, richly sung production

Sonya Yoncheva and Piotr Beczała star in Giordano’s Fedora, which opened at the Metropolitan Opera Saturday night. Photo: Ken Howard / Met Opera Fedora returned to the Metropolitan Opera on New Year’s ...
New York Classical Review

Met wraps the season successfully with Frank’s impassioned “Frida y Diego”

Isabel Leonard and Carlos Álvarez star in Gabriela Lena Frank’s El Último Sueño de Frida y Diego at the Metropolitan Opera. Photo: Marty Sohl / Met Opera The final production of the Metropolitan Opera ...
New York Classical Review

Biondi leads Philharmonic in a subtle, stylish “Messiah”

Fabio Biondi conducts the New York Philharmonic in Handel’s Messiah with soprano Hera Hyesang Park and the Handel and Haydn Society Chorus Tuesday night at David Geffen Hall. Photo: Chris Lee The New ...
New York Classical Review

“11,000 Strings” a sonic spectacular that fails to touch the heart

The title 11,000 Strings promises something grand, and indeed Georg Friedrich Haas’ piece is large-scale in physical scope, duration, and ambition. This is a piece for 50 pianos (the 11,000 strings) ...
New York Classical Review

A trio of worthy debuts boosts Met’s “Onegin” revival

Asmik Grigorian as Tatiana and Iurii Samoilov in the title role of Tchaikovsky’s Eugene Onegin at the Metropolitan Opera. Photo: Evan Zimmerman / Met Opera Tchaikovsky’s Eugene Onegin returned to the ...
New York Classical Review

Mäkelä, Orchestre de Paris conjure a spectacular “Firebird,” visceral “Rite”

A hundred and eleven years ago, a ballet audience in Paris experienced “the shock of the new” as never before, when the primitive rhythms and dissonances of Igor Stravinsky’s The Rite of Spring ...